two new releases on Sorry State up for pre-order
Fugitive Bubble: What Will Happen If We Stop 12" (Sorry State Records) What Will Happen If We Stop is the second album from Olympia, Washington’s Fugitive Bubble. If you heard Fugitive Bubble’s first record for Sorry State, 2024’s Delusion, you won’t be surprised by the creative restlessness the band displays on their new record. While the core of Fugitive Bubble’s high-energy art punk style carries forward from Delusion, What Will Happen If We Stop expands and upgrades their sound. Harley’s vocals are recorded more clearly and delivered with even more power and authority. New drummer Typhoid Mary—whom you may know from their other band Physique—plays at even more blistering tempos, frequently laying down jaw-on-the-floor moments of percussive pyrotechnics. Fugitive Bubble’s songwriting has also grown more expansive and ambitious. On first listen, the speed and melody will floor you, but as your ear untangles these songs, you’ll notice how dense they are with ideas, each one overflowing with cool parts that flow seamlessly from one to the next. Other new wrinkles include sprinkles of acid country guitar a la Meat Puppets, the climactic CCR-ish rave-up “Ego Drip,” the two-part piano piece “Demodex in Situ,” and “Your Loyalty to the Flag Lies Beneath My Boot,” the solo guitar piece that ends the record on a meditative note. Throughout these twists and turns, Fugitive Bubble proves it’s still possible to make punk rock that’s politically relevant and musically ambitious without losing sight of the youthful energy at the genre’s core.
Plasma: Mua Et Voi Omistaa 12" (Sorry State Records) Sorry State is proud to present Mua Et Voi Omistaa, the debut vinyl from Helsinki, Finland’s Plasma, released in partnership with Nunchakapunk Records in Finland and Little Jan’s Hammer Records in Spain. Plasma carries forward the power, ferocity, and craftsmanship that has been Finnish punk’s calling card since the genre’s inception, fusing it with the bouncy energy and razor-sharp execution of modern hardcore punk. Songs like “Mata Pilvilinna,” “Satkynukke,” and “Mua Et Voi Omistaa” are full-bore, punk-as-fuck attacks, but the intensity belies how dialed-in everything is: the insanely catchy bass lines, the way the drummer perfectly balances building tension with eruptions of energy, the guitarist’s furious downpicking, and the vocalist’s ability to weave melody into a confrontational punk snarl. Meeting the high bar for musicianship set by contemporary Finnish groups like Kohti Tuhoa, Yleiset Syyt, and Foreseen, Plasma really shines on “uptempo mid-tempo” songs like “Ei Oikeutta” and “Syvemmalle Sisaan” that evoke (and will surely inspire) heaving masses of writhing, sweaty punk bodies. For what seems on the surface like a monolithic blast of punk fury, Mua Et Voi Omistaa is a varied, layered masterpiece of hardcore craftsmanship that sinks its hooks in quickly and refuses to let go.
Sorry state newsletter: March 24, 2025
This week we have two new releases on Sorry State from Fugitive Bubble and Plasma, a Record of the Week from Oulu, Finland's Putkipommi, a bunch of excellent Featured Releases, New Arrivals, Staff Picks, and more!
New and Recommended Punk & Hardcore Ragers!
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Putkipommi: Tuhottu Tulevaisuus 7" w/zine
- Vendor
- Nobody 99 Records
- Regular price
- $12.00
- Sale price
- $12.00
Recommended Reissues
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Various: French Post-punk et New Wave 1984-1987 cassette
- Vendor
- import
- Regular price
- $8.00
- Sale price
- $8.00
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Various: French Post-punk et New Wave 1988-1990 cassette
- Vendor
- import
- Regular price
- $8.00
- Sale price
- $8.00
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Godflesh: Streetcleaner 12" (35th Anniversary)
- Vendor
- Earache Records
- Regular price
- $35.00
- Sale price
- $35.00
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Rixe: Coups et Blessures 7" (green vinyl; 10th anniversary press) (PRE-ORDER)
- Vendor
- La Vida Es Un Mus
- Regular price
- $10.00
- Sale price
- $10.00
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Television Personalities: Tune In, Turn On, Drop Out - Radio Sessions 1980-1993 12"
- Vendor
- Fire Records
- Regular price
- $40.00
- Sale price
- $40.00
Record of the week: Putkipommi: Tuhottu Tulevaisuus 7"
Putkipommi: Tuhottu Tulevaisuus 7” (Nobody 99 Records) Putkipommi (Finnish for “pipe bomb”) is a young band from Oulu, Finland. Last year when Scarecrow toured Scandinavia, Putkipommi played our show in Turku and blew us away. Who were these teenagers decked out in punk gear playing stripped-down songs that so closely recalled the early recordings of Finland’s first wave of great hardcore bands? Usman was particularly obsessed, keeping in touch with the band and ensuring that when they released their first vinyl, copies made their way to Sorry State. Tuhottu Tulevaisuus (“Destroyed Future”) is here now, and it’s a 10-song distillation of timeless punk anger and energy. I think one thing that everyone in Scarecrow really responded to about Putkipommi is that their music doesn’t sound contrived; rather than emulating someone else’s sound, they’re tapping into something real and eternal. The distinctive sounds and rhythms of the Finnish language mean that any band playing raw, Discharge-inspired hardcore is going to sound at least a little like Kaaos and Riistetyt, but Putkipommi sounds just as much like classic Swedish d-beat like Shitlickers. That’s particularly true of the drums, which are driving and groovy rather than jagged and manic. The riffs are simple and arrangements are trimmed to the bone, so when Putkipommi does something slightly unexpected—like the way the rhythm breaks in the chorus to “Elämä” or how the drums and vocals lock together on “Pyhä Sota”—it really stands out, and there are just enough of these moments on the EP to keep things fresh while ensuring the sound stays straightforward and minimal. Those of us with a particular soft spot for Finnish hardcore will especially love the gang choruses on songs like “Massamurha” and “Politikka,” when Putkipommi sounds most like their country’s forbears, but anyone who has been entranced by young punk bands like the Teen Idles or the Necros is likely to fall under their spell of these honest-to-god teenagers and their 10-song hardcore punk 7”.
Featured Releases: March 24, 2025
Phosphore: BDX 2024 7” (Symphony of Destruction Records) Phosphore, from the French d-beat mecca of Bordeaux, follows up their 2023 demo with this short and sharp 3-song flexi. As on their demo, Phosphore’s sound is straightforward and unadorned, with short songs built around simple but effective riffs in the Shitlickers / Anti-Cimex vein, but with a bigger sounding recording and a mighty, locked-in playing style that recalls the best Japanese hardcore bands of the late 80s and early 90s. These three tracks all clock in at under 90 seconds, and while I miss the mid-paced moments that broke up their (slightly) longer demo, there’s something to be said for the way these three songs coalesce into one sustained roar… it feels a bit like being pummeled with bricks for four straight minutes. This one is all meat, no potatoes.
Farce: Sights of War 7” (Systema Mortal Records) Sights of War is the latest EP from this Finnish band, and while they’ve released a few cassettes and digital releases over the past few years, this is the first time I’ve given them a close listen. When you drop the needle on Sights of War, you’ll think to yourself, “this is some top-notch Disclose worship,” but as you dig in further, you’ll find there’s a lot more to Farce than most bands who emulate this style. First (and like any band in this vein who wants to move from “just OK” to “really good”), they seem to have taken a lot of time with the tones they got on this recording. Sounding really fucked up is a fine art, and Farce are Picassos, hurling an artillery barrage of frequencies that slice, bruise, pummel, and burn, often all at the same time, and listening to Sights of War can feel a bit like being trapped inside a broken down lawn mower. While Farce hews closely enough to the Disclose template that they never sound out of the box, they’re great at injecting unexpected wrinkles like the delightfully odd lead guitars in “Shelling of Trenches” and “Killing for Fairytale.” It all adds up to an 8-track 7” that delivers everything you want from this style while being interesting enough to stand out from the many other similar records on your shelf.
Poguba: Sedem Pesmi cassette (Autsajder Produkcija) / Poguba: V Živo cassette (Autsajder Produkcija) Autsajder Produkcija brings us two cassettes from this young band from Ljubljana, Slovenia, continuing the label’s hot streak. Poguba strikes me as an extraordinary band, and while I’ll attempt to describe what they sound like, there’s something magical about these songs and performances that you really need to hear to appreciate. When Poguba is in hardcore mode, they remind me most of the primitive punk that came from the UK in the early 80s, though not any band or scene in particular… one minute they might sound like Chaos UK’s first couple of singles, while the next I’m thinking of the 4 Skins’ toughest tracks, and fans of the Massacred will dig “Mrtvaški Ples,” which speeds things up to a Special Duties type of tempo. But then there’s this whole other side of Poguba where they bring in these dark, post-punk-ish melodies that recall both 80s Eastern European punk and Joy Division’s earliest recordings (see “Nadgrobnik” and “Anarkist Javisst (Palimpsest)”). While Poguba’s music evokes these past eras of punk, it doesn’t have the copy/paste quality that so much contemporary punk has… there’s some quality of authenticity that’s hard to pin down, but definitely there. Poguba’s other strength is that their vocals ooze charisma. My favorite vocal moment is the closing track on the studio tape, “Z Glavo Skoz Zid” which has this manic blathering thing that makes me think of Amde Petersen’s Arme if they were obsessed with Eastern European punk instead of American hardcore. There’s definitely something special happening here, and it’s easy to imagine Poguba letting their ambitions run wild and quickly outgrowing DIY punk’s limited scope. Maybe they’ll even be like Fucked Up or Ice Age and garner the attention of indie rock fans and labels. For now, though, they are a unique and special underground punk band that you should hear. I recommend starting with the studio demo, Sedem Pesmi, then proceeding to the live cassette, V Živo, which captures (mostly) the same set of songs with slightly lower fidelity and slightly higher energy.
Burning Chrome: S/T 7” (Desolate Records) Desolate Records brings us this studio project by folks from the defunct Minneapolis band Zero, whose records were some of the earliest releases on Desolate. According to the label’s description, these recordings were completed remotely during the pandemic, as members of Burning Chrome were split between Minneapolis and New York, and in-person jamming was impossible. They mention describing songs over the phone and sending recordings back and forth, which is a wild way to compose and record, especially for music like this that typically lives and dies by a band’s ability to create a roaring, locked-in sound. The recording and mix are consequently a bit odd-sounding, with the drums having a different tone from the rest of the instruments and the rhythm guitar quite low in the mix. The songs themselves frequently invoke Death Side’s broad gestures with their soaring guitar leads and commanding vocals, but the recording pulls in a different direction, with an off-balance, introverted feel. The result is a record that doesn’t bowl you over instantly, but instead intrigues you subtly, and listening can feel like trying to make out an image through frosted glass. This self-titled EP is a strange record, but it’s so unique that if you dig it, you won’t be able to find anything that hits quite the same.
Problem: Violence on the Metro 7” (Under the Gun Records) Following up their Anti-You EP from 2022, we have a new three-song single from Los Angeles’s Problem. The artwork and the fact that this is a 3-track single immediately recalls the UK82 classics (the title also evokes Attak’s Murder on the Subway), but Problem adds their own wrinkles. The drums and guitars keep things straightforward and punk, but the more complex bass lines on these tracks add an extra layer of musicality. The vocals also drip with personality, going right up to the edge of being a cartoony, but imbuing these songs with a ton of personality. There’s an emphasis on catchiness, and you’ll definitely walk away from this EP remembering the lyrics to “Bite the Blade.” The closing track “Fuck the Human Race” leans in even harder with a bright, major-key chord progression and the singer changing “fuck you” over and over. You’ve gotta love a classic offensive singalong in the tradition of “Sex and Violence,” and if it wasn’t already clear Problem doesn’t take themselves too seriously, the brief reggae break seals the deal. Despite embracing the punk stereotype so fully, Problem never sounds goofy… like the droogs in A Clockwork Orange, they just like a little fun mixed in with their menace.
EKGs: demo cassette (Kill Enemy Records) Kill Enemy Records—the label behind Speed Plans and Illiterates, among many others—brings us the demo tape from this new Pittsburgh band. Like most of the other bands on Kill Enemy, EKGs play fast and hard, but definitely have their own spin on things. Their songs are mega short (most around one minute or less) and while they use a lot of blast beats, they’re not the slicked-up triggered kind, but the raw and punk-sounding kind that will remind you of Siege, Deep Wound, or Scum-era Napalm Death. The song structures are jagged and linear (rather than circular), rarely hanging on a riff or a part long enough to sink in… this is a band that likes to blindside you with a riff or a tempo change from the opposite direction as soon as you get comfortable. The vocals are really distinctive, in the Damaged-era Rollins school of outward manifestations of existential pain, but with a unique timbre. After 9 short rippers, the demo ends with two longer songs that feel even more like children of Damaged, including the closing singalong of “Permission to Cum,” which shifts the demo’s vibe slightly in an interesting way. EKGs are super fast, super raw, and super punk, but they also have a unique thing going on this demo that’s just bursting with ideas. Killer.
Three new releases on La Vida Es Un Mus up for pre-order

- Regular price
- $10.00
- Sale price
- $10.00
The Hell's self-titled 7" up for pre-order
The Hell: S/T 7" (Sorry State Records/ Drunken Sailor Records) Sorry State Records (US) and Drunken Sailor Records (UK) present a new self-titled 5-song EP from Cleveland’s the Hell. The four to-the-point rippers on the a-side pick up where the Hell’s 2023 album left off, fusing big riffs (see: “Liabilities” and “Circling the Drain”) with agile rhythmic shifts (“Cut the Chord”) and executing all of it at hardcore tempos. While these tracks have a similar energy to nihilistic punk-on-the-edge-of-hardcore like the Lewd or the Zero Boys, “Dirt Nap,” which occupies the entire b-side, takes the Hell’s sound to new places, soaking in eerie tension for several minutes before erupting into a brilliant, Buzzcocks-esque chiming chorus. Atop it all, the Hell’s vocalist sneers like a weary, middle-aged Darby Crash whose woes have only compounded as life has unfurled. The Hell speaks to the dismay and cynicism we all feel as part of a species in decline, but they also deliver the jolt of energy we need to face another day.
Street date: March 14, 2025
more of this month's best sellers
recently restocked
new arrivals
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Entrez Vous: Antenna Legs Hear Everything cassette
- Vendor
- self-released
- Regular price
- $10.00
- Sale price
- $10.00
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Plasma: Mua Et Voi Omistaa 12" (PRE-ORDER)
- Vendor
- Sorry State Records
- Regular price
- $20.00
- Sale price
- $20.00
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Fugitive Bubble: What Will Happen If We Stop? 12" (PRE-ORDER)
- Vendor
- Sorry State Records
- Regular price
- $20.00
- Sale price
- $20.00
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Putkipommi: Tuhottu Tulevaisuus 7" w/zine
- Vendor
- Nobody 99 Records
- Regular price
- $12.00
- Sale price
- $12.00
on sale
subculture's unreleased 1986 EP Fred out now
Sorry State Records is proud to present Fred, the unreleased 1986 EP from Winston-Salem, North Carolina’s Subculture. Recorded the year after their 1985 debut, I Heard a Scream, the six tracks that comprise Fred were left uncompleted and shelved when the band broke up later that year. While a rough mix has circulated among tape traders, Fred presents these songs in their finished form for the first time, remixed from the original multi-track tapes by John Pfiffner and mastered by Brent Lambert at the Kitchen. Compared to I Heard a Scream, the version of Subculture we hear on Fred features a fleshed-out lineup with nearly two years of additional musical (though not necessarily social) maturity. Subculture spent the time between IHAS and Fred rehearsing and gigging obsessively, and consequently Fred is a more ambitious and musically accomplished set of songs. Fred also reflects the influence of the crossover scene blossoming at the time with D.R.I. and (especially) hometown heroes and mentors Corrosion of Conformity. Fans of C.O.C.’s Animosity will flip for Fred’s lurching and lunging rhythms, and while “Bad Desperation” finds Subculture at their fastest and most vicious, the closing “KC Comes to Town” exhibits the sense of humor that made Subculture perfect touring companions for NOFX in the 80s.
latest used items
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King Crimson: Live At The Wiltern (July 1, 1995) 2xCD
- Vendor
- used
- Regular price
- $18.00
- Sale price
- $18.00
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ProjeKct Three: Live In Alexandria, VA (March 3, 2003) CD
- Vendor
- used
- Regular price
- $12.00
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- $12.00
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King Crimson: Live In New Haven, CT (November 16, 2003) 2xCD
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- used
- Regular price
- $12.00
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- $12.00
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King Crimson: Live In Toronto (June 24, 1974) 2xCD
- Vendor
- used
- Regular price
- $18.00
- Sale price
- $18.00
new on la vida es un mus
new on sorry state
Recommended books, zines, and other reads
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Love Letters 2 - From Christina's Flyer Collection zine
- Vendor
- zines
- Regular price
- $8.00
- Sale price
- $8.00
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Weird Music That Goes on Forever: A Punk's Guide to Loving Jazz book
- Vendor
- Microcosm Publishing
- Regular price
- $18.00
- Sale price
- $18.00
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Sorry State Records has the best selection of DIY punk and hardcore vinyl in the world, with well over 2,500 unique titles currently in stock. We're a great music discovery tool, with blogs and other features to help you discover great new music you'll love. We have the fastest, most professional mail order service in punk, with most orders shipping within 24 hours. We're also a great brick-and-mortar record shop based in Raleigh, NC, specializing in collectible and hard to find titles in all genres.