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100% Classic Stockholms Mangel!
This LP contains all three AGONI (pre-Agony) demos including the long lost second demo and live material. Black vinyl housed in gatefold sleeve with extensive liner notes, photos etc.
Our take: Sweden’s De:Nihil Records brings us the collected recordings of this early Stockholm d-beat / hardcore band. While Agoni later changed the spelling of their name to Agony and released a thrash metal record on the UK’s Under One Flag Records, they’re perhaps best known to punks for touring the UK with Anti-Cimex in 1986. I knew their name from flyers for that tour, but they released two demos in their earlier d-beat style and appeared on a couple of very hard to find cassette compilations. Actually, the second of these demos is so obscure they believed it lost, but a friend of the band turned up a copy and it appears here, where most people will hear it for the first time. If you’ve heard that first demo, you’ll be pleased to hear the second demo is just as ripping. In fact, the two sessions are so similar that it’s easy to miss when it switches from the first tape to the second on this LP. This is raw, Discharge-inspired hardcore in the vein of Agoni’s contemporaries like Mob 47, Anti-Cimex, and Shitlickers… the good shit. If you’re a Swedish d-beat fanatic, you’re going to want to hear this… I’ve had side A playing on repeat since this arrived earlier this week. The b-side features their third demo, where they transition toward their thrash metal style (I like these tracks, but they’re not the main draw here) and a live set from the d-beat era with a rough but listenable recording that captures the band sounding ferocious. The sound on the LP is great, and the gatefold features liner notes in Swedish. If you take the time to translate them (here is a link to an official translation the label provided us!), you’ll glean some interesting tidbits, like how they were frustrated with their drummer for not playing the d-beat exactly like Discharge, how they recruited their guitarist when they spotted him at a pub with Discharge painted on his leather jacket, and how the bass player (who writes the liner notes) turned up to the second demo session to find the guitarist had already recorded the bass tracks (he quit the band in protest). If you live for unearthed obscurities like this, you won’t want to miss En Röst För Fred.
This LP contains all three AGONI (pre-Agony) demos including the long lost second demo and live material. Black vinyl housed in gatefold sleeve with extensive liner notes, photos etc.
Our take: Sweden’s De:Nihil Records brings us the collected recordings of this early Stockholm d-beat / hardcore band. While Agoni later changed the spelling of their name to Agony and released a thrash metal record on the UK’s Under One Flag Records, they’re perhaps best known to punks for touring the UK with Anti-Cimex in 1986. I knew their name from flyers for that tour, but they released two demos in their earlier d-beat style and appeared on a couple of very hard to find cassette compilations. Actually, the second of these demos is so obscure they believed it lost, but a friend of the band turned up a copy and it appears here, where most people will hear it for the first time. If you’ve heard that first demo, you’ll be pleased to hear the second demo is just as ripping. In fact, the two sessions are so similar that it’s easy to miss when it switches from the first tape to the second on this LP. This is raw, Discharge-inspired hardcore in the vein of Agoni’s contemporaries like Mob 47, Anti-Cimex, and Shitlickers… the good shit. If you’re a Swedish d-beat fanatic, you’re going to want to hear this… I’ve had side A playing on repeat since this arrived earlier this week. The b-side features their third demo, where they transition toward their thrash metal style (I like these tracks, but they’re not the main draw here) and a live set from the d-beat era with a rough but listenable recording that captures the band sounding ferocious. The sound on the LP is great, and the gatefold features liner notes in Swedish. If you take the time to translate them (here is a link to an official translation the label provided us!), you’ll glean some interesting tidbits, like how they were frustrated with their drummer for not playing the d-beat exactly like Discharge, how they recruited their guitarist when they spotted him at a pub with Discharge painted on his leather jacket, and how the bass player (who writes the liner notes) turned up to the second demo session to find the guitarist had already recorded the bass tracks (he quit the band in protest). If you live for unearthed obscurities like this, you won’t want to miss En Röst För Fred.