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Over twenty-five years ago, nine guys from Des Moines, Iowa, shattered the scope of what was possible in metal. Slipknot's music put blastbeats, massive breakdowns and brutal riffs alongside breakbeats and turntablism; punctuated hooky melodies with extreme vocals and percussive rap verses. On stage, bodies clad in numbered jumpsuits and horror film masks crashed into each other, eliciting mania from hungry crowds and drawing blood and breaking bones in the process.
Everything Slipknot did was maximalist and monstrous, completely unhinged and meticulously thought out. From the moment Slipknot appeared on an early afternoon stage at Ozzfest ‘99, it was clear they were like nothing people had ever seen and everything they never knew they needed.
Produced by Rick Rubin, 2004's platinum-plus Vol 3: The Subliminal Verses not only captures the band's strengths to this point - it sees the spore that is Slipknot exploding in all directions. The songs on this daring effort transcend traditional hard music structure, and will surprise the uninitiated with their dynamic appeal. Masterful guitar work, visceral drum beats, and a newly-expanded vocal range are highlights of this work that Corey Taylor calls "both brutal and beautiful."
Everything Slipknot did was maximalist and monstrous, completely unhinged and meticulously thought out. From the moment Slipknot appeared on an early afternoon stage at Ozzfest ‘99, it was clear they were like nothing people had ever seen and everything they never knew they needed.
Produced by Rick Rubin, 2004's platinum-plus Vol 3: The Subliminal Verses not only captures the band's strengths to this point - it sees the spore that is Slipknot exploding in all directions. The songs on this daring effort transcend traditional hard music structure, and will surprise the uninitiated with their dynamic appeal. Masterful guitar work, visceral drum beats, and a newly-expanded vocal range are highlights of this work that Corey Taylor calls "both brutal and beautiful."