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Ostseetraum is a small minimal wave band, which, together with bass, guitar, synths, drum machines and vocals, performs scrambled and annoying music for you.
Our take: This debut release from Germany’s Ostseetraum strikes me as a cryptic record. I’ll paste the label’s description here because it captures some of this record’s enigmatic nature: “Ostseetraum is a small minimal wave band, which, together with bass, guitar, synths, drum machines and vocals, performs scrambled and annoying music for you.” That description seems to say both a lot and not very much and the record has a similar quality; I can’t seem to figure it out, but I play it often. For the past couple of weeks I’ve been putting the record on while I’m working, and when it would end I would think “that was cool… but what did it sound like?” That sounds like a slight, like I’m saying the music was forgettable or lacked personality, but that’s not what I mean. After giving the record my first attentive listen, I’m reminded of Brian Eno’s assertion that ambient music rewards your attention, but does not demand it. So much of the music I listen to is fundamentally dramatic, but Ostseetraum never begs for your attention. If you’re not totally engaged with the music, the subtle but propulsive electronic rhythms will keep you focused on whatever task you’re working on, but when you stop to pay attention, you’ll hear subtle melodies, interlocking rhythms, and gritty analog textures. It’s a feast for the ears. If you’re interested in 80s minimal synth music or current bands inspired by it (like, say, Molchat Doma), this is well worth a listen, but even among those similar-sounding groups, Ostseetraum’s understated approach is special.
Our take: This debut release from Germany’s Ostseetraum strikes me as a cryptic record. I’ll paste the label’s description here because it captures some of this record’s enigmatic nature: “Ostseetraum is a small minimal wave band, which, together with bass, guitar, synths, drum machines and vocals, performs scrambled and annoying music for you.” That description seems to say both a lot and not very much and the record has a similar quality; I can’t seem to figure it out, but I play it often. For the past couple of weeks I’ve been putting the record on while I’m working, and when it would end I would think “that was cool… but what did it sound like?” That sounds like a slight, like I’m saying the music was forgettable or lacked personality, but that’s not what I mean. After giving the record my first attentive listen, I’m reminded of Brian Eno’s assertion that ambient music rewards your attention, but does not demand it. So much of the music I listen to is fundamentally dramatic, but Ostseetraum never begs for your attention. If you’re not totally engaged with the music, the subtle but propulsive electronic rhythms will keep you focused on whatever task you’re working on, but when you stop to pay attention, you’ll hear subtle melodies, interlocking rhythms, and gritty analog textures. It’s a feast for the ears. If you’re interested in 80s minimal synth music or current bands inspired by it (like, say, Molchat Doma), this is well worth a listen, but even among those similar-sounding groups, Ostseetraum’s understated approach is special.