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Debut full-length from the raging crusty D-beat rippers out of Seattle.
Our take: The debut LP from Seattle’s Nightfeeder, the enigmatically titled Cut All of Your Face Off, came out back in August, but the first edition disappeared so quickly that it was gone before we told you how much it fucking rules. Now it’s back in stock, and I won’t let this second chance pass me by: this record fucking rules! For the past week I’ve been reflecting on what makes Cut All of Your Face Off such a great record, and the comparison that keeps coming to mind is Tragedy. Not so much because Nightfeeder sounds like Tragedy, but rather it’s how the record hits against the background of other stuff I’ve been listening to. Before Tragedy got popular, there was this steady background hum of post-Discharge hardcore bands that was fine, but the scene seemed like it was in a rut. Then the first Tragedy LP came out gave everything a shot in the arm, bringing in some different influences, more dynamics, and more ambitious and interesting songwriting. People latched on, and not only did Tragedy get big, but the entire scene got a shot in the arm. I feel a similar way about Cut All of Your Face Off. There are so many d-beat-type hardcore bands out there right now, and while I love the sound and style, many of the bands are fairly one-dimensional, at least compared to something like this record. Nightfeeder can rip with the best of them (see “Amoral Minority” or “And Now We Die”), but there’s so much more here, from the epic riffing of tracks like “Asylum” and “Burial” (seriously… these are fucking RIFFS!) to the Inepsy-style charge of “The Reaper’s Yield” to the anthemic street punkiness of “I’m a Letdown.” I remember listening to this record for the first time and being thrilled by each track as it appeared, each one adding new wrinkles to Nightfeeder’s rich yet uncompromising sound. Cut All of Your Face Off is one of the best punk records of 2022, so if you didn’t get it the first time, don’t miss your second chance.
Our take: The debut LP from Seattle’s Nightfeeder, the enigmatically titled Cut All of Your Face Off, came out back in August, but the first edition disappeared so quickly that it was gone before we told you how much it fucking rules. Now it’s back in stock, and I won’t let this second chance pass me by: this record fucking rules! For the past week I’ve been reflecting on what makes Cut All of Your Face Off such a great record, and the comparison that keeps coming to mind is Tragedy. Not so much because Nightfeeder sounds like Tragedy, but rather it’s how the record hits against the background of other stuff I’ve been listening to. Before Tragedy got popular, there was this steady background hum of post-Discharge hardcore bands that was fine, but the scene seemed like it was in a rut. Then the first Tragedy LP came out gave everything a shot in the arm, bringing in some different influences, more dynamics, and more ambitious and interesting songwriting. People latched on, and not only did Tragedy get big, but the entire scene got a shot in the arm. I feel a similar way about Cut All of Your Face Off. There are so many d-beat-type hardcore bands out there right now, and while I love the sound and style, many of the bands are fairly one-dimensional, at least compared to something like this record. Nightfeeder can rip with the best of them (see “Amoral Minority” or “And Now We Die”), but there’s so much more here, from the epic riffing of tracks like “Asylum” and “Burial” (seriously… these are fucking RIFFS!) to the Inepsy-style charge of “The Reaper’s Yield” to the anthemic street punkiness of “I’m a Letdown.” I remember listening to this record for the first time and being thrilled by each track as it appeared, each one adding new wrinkles to Nightfeeder’s rich yet uncompromising sound. Cut All of Your Face Off is one of the best punk records of 2022, so if you didn’t get it the first time, don’t miss your second chance.