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"I've got plenty of energy, it's my currency" sings Amy Taylor on the opening track of Comfort To Me, the latest from Amyl and The Sniffers. After their self-titled 2019 debut, the band conquered the world one club and festival at a time. Comfort To Me fully captures the chaotic energy of their unrelenting, jaw-dropping live show which The Guardian declared the "most exhilarating rock n' roll show I've seen in years."
Our take: The name Turnstile is on the tip of everyone’s tongue, with half the punk scene apologizing for liking them and the other half offended by their very existence. The controversy reminds me, in some respects, of the debate that surrounded Amyl & the Sniffers a few years ago. I’m not sure to what extent that debate is still happening, though Amyl’s singer and lyricist Amy seems to address it on the track “Don’t Fence Me In” (my favorite line from that song: “Bah! Binaries”). If one still needs to take a position on Amyl & the Sniffers, I am heartily in the “pro” camp. I fucking love this band, and I think I like Comfort to Me even more than their previous records. As much as I love punky hardcore bands (old ones like the Adolescents, later ones like the Carbonas and Career Suicide, and even recent ones like the Imploders, whom I also write about this week), sometimes I want something a little more pop, and Amyl & the Sniffers scratches that itch. That being said, the Sniffers can rip, and you could stack “Choices” up against just about anything from the world of DIY punk and hardcore. But Amyl & the Sniffers’ main thrust reminds me of punky rock and roll bands like the Boys, Slaughter & the Dogs, Generation X, or the Damned. Those bands were as much pop as they were punk, and a song like “Soda Pressing” or “Neat Neat Neat” is no less a reach for a hit than “Security” or (my favorite song on Comfort to Me) “Hertz.” It’s clear Amyl & the Sniffers aren’t trying to sound like those bands; rather, they have a pop group’s ambition to make great songs, but they also want those songs to be loud, fast, and hard. Looking back at what I’ve written so far, it sounds like I’m apologizing for liking Amyl & the Sniffers, but truth be told, I have no shame. I love this record.
Our take: The name Turnstile is on the tip of everyone’s tongue, with half the punk scene apologizing for liking them and the other half offended by their very existence. The controversy reminds me, in some respects, of the debate that surrounded Amyl & the Sniffers a few years ago. I’m not sure to what extent that debate is still happening, though Amyl’s singer and lyricist Amy seems to address it on the track “Don’t Fence Me In” (my favorite line from that song: “Bah! Binaries”). If one still needs to take a position on Amyl & the Sniffers, I am heartily in the “pro” camp. I fucking love this band, and I think I like Comfort to Me even more than their previous records. As much as I love punky hardcore bands (old ones like the Adolescents, later ones like the Carbonas and Career Suicide, and even recent ones like the Imploders, whom I also write about this week), sometimes I want something a little more pop, and Amyl & the Sniffers scratches that itch. That being said, the Sniffers can rip, and you could stack “Choices” up against just about anything from the world of DIY punk and hardcore. But Amyl & the Sniffers’ main thrust reminds me of punky rock and roll bands like the Boys, Slaughter & the Dogs, Generation X, or the Damned. Those bands were as much pop as they were punk, and a song like “Soda Pressing” or “Neat Neat Neat” is no less a reach for a hit than “Security” or (my favorite song on Comfort to Me) “Hertz.” It’s clear Amyl & the Sniffers aren’t trying to sound like those bands; rather, they have a pop group’s ambition to make great songs, but they also want those songs to be loud, fast, and hard. Looking back at what I’ve written so far, it sounds like I’m apologizing for liking Amyl & the Sniffers, but truth be told, I have no shame. I love this record.