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DEATH GASP returns with four new tracks of heavy artillery stench that will blast you into dust. Limited to 100 black cassettes
Our take: This new tape from Pittsburgh’s Death Gasp caught me by surprise. While the artwork might lead you to expect straightforward crust, Death Gasp’s sound is heavier, gnarlier, and more interesting, incorporating metallic elements that remind me of bands like Amebix, Rigorous Institution, and (later-era) Crow. I love raging crust, but a track like “Ghost of the Bombs” illustrates how it can be even more effective when it’s contrasted with something else, starting with a writhing, Amebix-esque chug and building toward the main part of the song, which charges along at a Doom-style clip. Death Gasp’s sound is powerful on the metallic parts, with the guitars hitting gnarly low frequencies that even the heaviest doom bands would envy. Executioner is a real standout, and I hope we get some vinyl from Death Gasp in the future.
Our take: This new tape from Pittsburgh’s Death Gasp caught me by surprise. While the artwork might lead you to expect straightforward crust, Death Gasp’s sound is heavier, gnarlier, and more interesting, incorporating metallic elements that remind me of bands like Amebix, Rigorous Institution, and (later-era) Crow. I love raging crust, but a track like “Ghost of the Bombs” illustrates how it can be even more effective when it’s contrasted with something else, starting with a writhing, Amebix-esque chug and building toward the main part of the song, which charges along at a Doom-style clip. Death Gasp’s sound is powerful on the metallic parts, with the guitars hitting gnarly low frequencies that even the heaviest doom bands would envy. Executioner is a real standout, and I hope we get some vinyl from Death Gasp in the future.